Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Portrait of Sir Francis and Lady Dashwood at West Wycombe Park

ID: 76718

unknow artist Portrait of Sir Francis and Lady Dashwood at West Wycombe Park
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unknow artist Portrait of Sir Francis and Lady Dashwood at West Wycombe Park


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unknow artist

  Related Paintings of unknow artist :. | Still life floral, all kinds of reality flowers oil painting 104 | elosa martin | Arab or Arabic people and life. Orientalism oil paintings 412 | Arab or Arabic people and life. Orientalism oil paintings 423 | Cyparissus, Jacopo Vignali |
Related Artists:
Jacques Bellange
French Painter, ca.1575-1616,French painter, etcher and draughtsman. His known artistic activity dates only from 1602 to 1616 and he is now familiar chiefly for his etchings and drawings, all his decorative works and most of his paintings having perished. His highly idiosyncratic style was inspired by such Italian artists as Parmigianino, by the School of Fontainebleau and by northern artists including Albrecht Derer and Bartholomeus Spranger. His work would seem to express a private and nervous religious sensibility through a style of the greatest refinement.
eric utterhielm
1662-1717
Arturo Ferrari
(Milan, 1861 - 1932) was an Italian painter. Initiated into artistic studies by his father Cesare, an associate of Luigi Scrosati, and the painter Mose Bianchi from Lodi, Arturo Ferrari completed his training at the Brera Academy under the guidance of Giuseppe Bertini from 1877 to 1884 while working in the studio of Gerolamo Induno at the same time. He made his debut at the Esposizione di Belle Arti di Brera in 1879 with a view of the interior of Milan Cathedral, thus inaugurating the repertoire of Milanese perspective views that was to be a constant feature of his vast production of oil paintings and watercolours. He soon became the guiding spirit of a poetic and sentimental evocation of "Old Milan" during the phase of transition to the 20th century, when the face of the city changed radically through wholesale rebuilding. A regular participant in all the major exhibitions until 1932, the year of his death, he was the recipient of numerous marks of official recognition and enjoyed considerable success with the public as well as the esteem of conservative critics.






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